From 2012 to 2014
In this expanding series I always seem to return to this particular landform (apart from the others in far reaches of the continent mentioned in previous blogs). Sometimes this rocky protrusion, jutting into the ocean making a sheltered bay on its northern side, is referred to as “the petrified forest”.
I have tried to illustrate how an early morning photograph taken in 2011 titled Erosion informed the gouache titled An Abrupt Transition, 2012 and then later quite unexpectedly last year I found layers of handmade paper made years ago at a university weekend workshop. Their textures suggested the appearance of rock. Also found were several frottaged pieces of rice paper taken from the surfaces of these rocks as preliminaries to a commissioned seascape.
The need to return at intervals gets a bit desperate as I hope that the erosion will slow. My quiet desperation comes about as I witness and find myself inadvertently recording gradual and not so gradual destruction of this beloved landform.
There is a transition in the work from the 6 shiny photographs to 5 gouache matte simulated textured images to 3 handmade textures reminiscent of rock and a collage with a piece of failed viscosity etching titled The Sun Descends.
I like to observe the way transitioning through different media, using the same or similar subject, often leads into another awareness and reinterpretation about the interaction between structures and conditions. While not a plein aire painter I alway sketch and then carefully draw a subject as a way to sharpen my memory.
It is from memory and contemplation that my imagery arises, placed in an abstracted format with reference to the material object. The texture of the objects can be simulated in paint or another type of simulation that is, either rock-like handmade paper or frottage taken from the rocks in question.
Feelings are not all gloom and doom as my romantic side loves the colour of sunrise, glow of sunrise on rock faces, rock faces reminiscent of ancient ruins and then about 20 minutes after sunrise when the winter sun is in the best position and intensity I photograph their reflections in rock pools and wet sand.
My first attempt at capturing this aspect of the place is not quite as I would like it – a bit pale and wan.
The start a another direction perhaps?
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