I returned to a couple of unfinished prints from last year to see if renovation was possible and as they were left overs from a variable edition, maybe with the passing of time, a different aspect of the Brachina Gorge subject matter may come up.
The original print titled “In Search of the Golden Spike”, 2014 was the springboard from which the new etching collage developed. This image had lost its freshness and looked tight and laboured so I placed gold leaf over part of the image and cut away a small section to reveal the part of the underneath image. Gold leaf looked too much so I glued over it a layer of handmade paper also tearing away a small section revealing the gold leaf as well as the original intaglio. Now I feel that in the central area I need more underlying nuanced tone and line to connect both sections of the composition. Definitely needs work.
The second image began also with the same plate but printed onto a chine colle that consisted of beige hand-made paper. At this stage however it was in vertical format and looked very pale and wan so I added gold leaf and then a layer of thin rice paper to reduce the glare and make a base and space for a second intaglio. I was bored with the image on this plate so decided to print another from a different series and see how they combined together. But by using only half of the image overcrowding may have been avoided so I elected to use the image of the head on the right side of the plate but which printed left in this artwork.
The two heads turning toward each other are separated by the image depicting the golden spike as though having searched for its location in Brachina Gorge they now ‘become’ part of the landscape. I like the idea of how over time we do become soil and are eventually part of earth’s stratified terrain.