‘Where Sun Met Rock at Point Roadknight, 2016, intaglio, handmade paper and chine-colle, 24×40 cm
Toward the Rock Ledge, 2016, intaglio, drypoint, chine-colle and handmade paper, 60x40cm
Between Sand and Rock, 2016, intaglio, chine-colle and handmade paper, 2016, 50×35 cm
The Swell, 2016, intaglio and pastel paper, 48×54 cm
A continuation of collage consisting of intaglio and drypoint mixed together with various types of paper into compositions about local environment and human interaction.
A moment when torn remnants of failed intaglio prints came together mentally. Something drew me away from my planned oil paintings and diverted me back to pieces of an old ‘jigsaw’. Unarticulated at the time, compositions that slipped away from my mind but returned and demanded unexpected attention.
The first image titled Leaving Lake Mungo, 2016 in diptych format, consists of a collagraph with an image of a dune that joins to an intaglio from which a figure is pulling away to merge into obscurity beneath layers of chine-colle and pieces of collage.
The second image titled Planning to Dive, 2016 refers to an older series of images titled The Diver, 2011, an allegory about a type of creative process. it consists of intaglio, collage and torn intaglio, transparent paper and pianola paper with punctured holes as well as a piece of pastel paper with frottage.
The Goddess Return, 2016 consists of a collagraph on top of which sits a small intaglio joined by transparent paper over silver leaf. The goddess image ‘joins the sky and earth’.
Background
I forgot to record the early stages of layering in this composition, and now the layering slideshow begins over half way through the process. In fact I feel I’ve lost something of the mood and atmosphere altogether. From a dry windy moody cold desert scape to a sunny, expressionist and colourful Mungo influenced composition.
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