A re-hash of an image that began as an intaglio print and was put aside for a while before I tackled it again. Technically I wanted to combine oil paint with intaglio print. The image is part of a series about the theme of self-portrait as allegory of painting that seems to have originated in the seventeenth century. In this composition I tried to show how the artist’s mind may discern how light and dark reveal and obscure imagery.
Remaining paintings in this series: