Some artists say that paintings ‘speak’ for themselves but, while I partly agree, I feel that information about artwork increases viewers’ enjoyment and curiosity. I don’t think I’m illustrating words verbatim but I do get inspiration from written source material as well as from other inputs- observation, memory, dreams and many emotions. I like to read blurbs when I look at the work of other artists as it increases my sense of engagement. However my first engagement with another artwork is through its visual impact and my emotional reaction, then I search for the words.
Chatting with the artist- always the way to go. Saturday March 5 from 4- 6pm at:
LITTORAL – Point Roadknight
Particular rock formations on the bay side of this small promontory have resulted in the action of mineralization and seepage over thousands of years. This calcified a system of tree roots that reach through an extensive dune. In this series of oil paintings, mixed media and etchings, my particular focus is on Port Roadknight’s seashore and landforms, an intertidal zone known as “littoral”.
Firstly at this site I recorded by sketch and photograph the changes driven by the forces of erosion. While charting these images over a five-year period I felt a sense of quiet desperation, loss and distress at the evident effects of climate change. The slow disintegration of this intriguing place expresses itself in the oil painting, Point Roadknight Erosion, 2007.
I then focused on a feature within the cliff face, often referred to by locals as “the petrified forest”. Rows of trunk-like ‘columns’, now almost lost to the sea, resemble ancient ruins. Colonnades, porticos and an entablature appear to emanate from the cliff face. An orange layer of horizontal rock runs along its length above the ‘columns’, a vibrant essence I set out to capture in Entablature, 2012.
Resurface 2, 2010 and Sand Cradle, 2010 are an allegory, representing how a diver physically and an artist mentally descend into places real and imagined and resurface with treasure or inspiration.
The heavily textured elements in Petrified Forest 1 and 2, The Sun Rises and Sand Reflection, are an example of my handmade paper, which I made from marram grass picked from local sand dunes. I combined these with frottage, using graphite to make rubbings from broken ‘columns’ scattered along the intertidal zone.
In Aglow and Column Shadow, I aimed at how mid-winter sunlight at dawn falls on to the chalky cliff face, making it appear to glow before casting deep shadows on it. As the sun continues to rise this contrast defines the many imaginary shapes that emerge from this section of shoreline.
All welcome to come and chat about the work and that of other artists also exhibiting at 69 Smith Street Gallery in Fitzroy.
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