I produced these images on paper by intaglio technique and black ink using a zinc plate. The process began two years ago having done the black and white intaglio I wanted to experiment with metal leaf as a composition element. It was a struggle to apply the leaf ( copper, gold and silver) with ink resulting in several mistakes and badly printed efforts with the leaf tearing and printing in places not intended.
But my disappointment lifted when I looked at them from a distance and saw in these altered random elements an unintended continuation of my environment/geology theme with human interaction as integrated part, not separate from it. So the messy metal leaf became ore bodies as I recalled a period in my life when I lived in mining towns and ventured underground at a copper mine in Tasmania.
The first 3 images worked with some trimming but the others needed chine colle as a composition element and in one I scraped away part of the leaf. In another 7/10 print I combined a plate from another series about Brachina gorge with the first plate as well as applying gold leaf and chine colle.
As a result this type of edition, because although the images vary I retain in each print an element of the first print ie the black intaglio, is termed a variable edition. I prefer this way of printing which can look painterly, perhaps, to traditional editioning where multiples of the same image make up an edition.
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