The slide show reveals how this painting came together in many stages. It was a companion to a commission so it is at present untitled, however the subject matter is the erosion of an interesting land form on the Great Ocean Road called Point Roadknight. Although the coastline is a fragile one and weathering is part of the natural cycle I always feel upset when I notice yet another rocky feature lost to the ocean. In the painting I depict breaches in the rock where tide floods across the rock platform. I exaggerated tidal flow as I imagined a future breach at an already eroded section of the point where the next cascade of ocean on the south side will eventually pour over the rock into the bay.
The early stage consisted of under-painting with ink and gesso in which frottage taken from the rock surface was glued into position.
Elements of composition, colour and tone came next in a loose configuration unified by strong lines drawn with an oil paint stick.
Once the shapes were blocked in, tone and colour in desired range of intensity established I stared pouring paint in a way that alluded to flowing water.
The white foam and shadow created a contrast that appeared to overwhelm the composition and made it too fussy so I put in some greys and poured light over dark in a diagonal direction.
3 thoughts on “Seascape, stages in a painting’s development”
Wow, I really enjoy looking at your work! Great color and movement. Feel free to check out my work at http://www.kateyaustin.com, Cheers!
A beautiful piece. I like seeing the evolution of the
work. Thank you.
Thank you for your generous comments about Mungo and the seascape stages of development. I always look forward to your exciting work. I find your nuanced tonal values, layering and pared back detail very instructive.
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