My process of image making is often accidental or an organised accident. Images often emerge from failed etchings or gouache where I hit a brick wall, put them in the too hard basket and walk away. When I return to them I see them differently. The examples here are failed etchings left for 18 months.
The solution was to create a mixed media image, keep part of the original image from the print zinc plate, change the subject matter and meaning from the mother Demeter self-portrait from Natalie with the Gaze and the Glance to that of artist engaged in the process of painting, challenging some of the conventions as an allegory for vision and insight.
The last three images are almost complete whereas the first ones are quite raw and unfocused. Although untitled they refer back to earlier paintings in series titled Eye and Site 1,2 and 3. In the mode of Hildegard of Bingen who saw the mirror not as a source of vanity but of spiritual self-examination, I find the examination of the conventions of oil painting an endless source of symbolism that is about an inquiry in to how images of women are constructed and evaluated.
