This is always the push and pull stage: erase, reintroduce line, change the meaning, get a bit precious, attack with turpentine rag and wipe off image. Although these are small studies measuring about 50×35 cm they often challenge me more than larger works.
The journey from inspiration to creation is always tricky. For instance I’m inspired by the idea that the viewer is not a distant observing subject capturing an object in paint or any other medium. I try not to produce an aesthetic of possession or of total control. In a way I feel observed by the terrain/land/environment/geology/geomorphology through which I pass and that my creative process mirrors that of the earths’.
Ideas like tectonic plates slide under and over each other, melt, coalesce into different thought patterns. Images and ideas can well up unexpectedly and fracture safe, formulaic and comfortable assumptions and techniques. For me it is like a mirroring of creativity and the processes can be convoluted, unexpected, annoying and frustrating as “failures” often hold the seeds of new ideas and point the way to new directions and paths for further exploration.
For example the last 2 images have been a source of frustration as I was trying to combine two different pictorial formats, that is, how cupules in rocks produced 50,000 years ago and used as depression into which eyes were painted could relate to our pictorial conventions. Neither the idea, composition or technique has been resolved and it requires attention but I feel it is part of something further down the track.
The source of this rock art eye imagery was included in a lecture by the Kimberley Foundation.