The genre of self portraiture, once limited to artists (or photographers when they shot a mirror-image), has been democratised with the invention of the cell phone and almost become the mainstream genre at present.
This artistic genre could be described as one where viewer and artist share the same gaze. The viewer sharing the gaze can look into the artist’s soul and mind on one hand, or in some other examples of traditional art share the way that an artist of the Baroque for instance gave a self portrait to a prospective client to be ‘read’ like a CV where skill was displayed in the painting of flesh and different fabrics as well as metal and other surfaces.
Oil paint was the ideal medium in which to render beautiful surfaces but now in the 21st century what does it offer the viewer and artist in this genre with its characteristic flat surface in comparison to performances or conceptual art projects about identity? Do the reasons for it existence still seem relevant?
What keeps me interested is that I can allude to past symbolism as well as explore psychological experiences, vulnerabilities and memories. The qualities of transparency, semi-opacity and opacity within the medium help me to depict these transitions. By breaking up the form of the head with different objects that allude to the processes of sight and painting action I can denote moments when the artist in a sense “plunges into darkness” ( Derrida) that mentally exists between observation of the image and paint application. In this small study I began with a drawn line and then moved into paint areas, transparent glazes and then back to the element of line. In one way the act of painting becomes a “selfie” and not my appearance.