Elaine d'Esterre

Feminist Visual Artist – Paintings, Mixed Media and Etchings

Artwork with Frottage

Background for Underpainting

Stage 1

The frottage for this painting ( 98×120 cm)  is a technique which allows me to connect with the landscape. The place was Lake Mungo in NSW. Particular parts of landscape marked the paper when I either rubbed a soft piece of charcoal and/or graphite across the surface that moulded the surface beneath revealing its texture or by another method placing wet paper into soil which over a short time stains the paper. Then later back in my studio I incorporate the frottage into larger paintings.

I began with a gesso washed and soaked frottage in order to seal the paper from later oil painted layers, a method to prevent discolouration and rot.

The triptych-like frottage shows three different textures. One was taken from a rock and rubbed with a mixture of graphite, compressed charcoal and water, the middle texture was a mixture of stain and a rubbing done over the clay surface in front of the dune called The Walls of China and in the third I tried to take sand imprints. That technique required an ink surface onto which randomly scattered sand was meant to absorb the ink which when dry would blow off leaving a dotted pitted surface (not totally successful).


Author: elainedesterre

I have been producing oil paintings, mixed media, prints (etching), digital prints and drawings for many years travelling to the Australian outback and overseas for inspiration and further education. My formal education consists of a PhD in painting and a BA in printmaking and my artwork is represented in public and private collections. My purpose and ongoing challenge is to create a gender-balanced and environment-focused iconography within the Western canon of European oil painting. These themes find expression within imagery about time, memory and identity as well as in geomorphology of evolutionary and environmental significance.

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