Collage from previous etchings are mixed into the second collagraph, whereas, in the first, I combined a torn collagraph element with another piece of collagraph. This grey piece of rectangular shaped BFK Rives printmaking paper, obtained from a ghost washy print that picked up some ink remnant left on the plate, resembled part of Mungo’s terrain between the red dust bearing hills and the pink dunes.
In the second image the soft grey area was printed from another washy (drop of gum turps. and a little oil ) ghost print which being very liquid spread across to the edge of page as it passed under the roller. Then I combined two pieces of torn image, one consisting of an intaglio and the other a drypoint on perspex from past leftovers, into ‘seeing heads’. The beige surround alludes to viewing as tho through a frame.
I was trying to depict two types of vision into a single image. One head is sightless and ‘sees’ as if from below the landscape and ‘becomes’ the landscape, and the other sighted head and torso view the landscape through and with perspectival visual construction.