When I compare collage and mixed media compositions with oil painted compositions sharing the same topic, I become aware of how different media often suit particular topics.
In this case contemporary art about the environment and the forces of nature somehow is suited to the dryness of rice paper as well as handmade paper as they become simulations of the earth’s surface and landforms. The dusty terrain, desiccated rock surfaces, cracked salt-laden and powdery surfaces and dry sand depictions, although semi abstracted, seem so much easier to portray with various collages than with the lush textures and viscosity of oil paint. Impasto especially can look too lush when alluding to Australia’s ancient land.
One solution to attain the powdery delicate but ancient bleached look was when I mixed grated pastel into gesso and then applied liberally on top of gesso ground whether on canvas, paper or wood surface. I usually begin with this technique but am often not quite satisfied with the end result so I will keep on experimenting.
I feel as though this small series has ended for now and oil painting is calling once again back to psychological portraits where oil paint is a sympathetic medium in which to portray subtleties and nuanced tonal values.
Materials can be so important, and as you say change the message of the artwork entirely depending on the approach one takes. The subtle layering of the above images is very beautiful.
Thank you for your lovely comment. Your print work is very instructive and beautiful and I posted your two recent posts onto Facebook addressed to a friend who is a tutor with the Anglesea print group who are seeking ways to extend prints into other areas.
Thanks Elaine, what a compliment! I would love to hear if other printmakers are extending their printmaking into 3D.
Yes they’ve been experimenting with boxes, books and more – the latest is a collaboration with an overseas artist to make moths.
Wonderful!